In this broadcast of Music By People You've Never Heard Of, I bring you this inspired and inspiring home-brewed version of the famous U2 anthem as performed by Neanderpaul. I'll tell you up front, this is not a great recording, even by the standards of YouTube. It won't matter, just check it out.
I know nothing about this guy, and I found him as I was searching for videos of artists using the Boss RC-20XL Loop Station. For those of you not hip to what the Loop Station is all about, Neanderpaul is an able demonstrator of it's considerable creative possibilities. He plays, sings, and records every sound you hear in this video in real time....this is a completely live performance.
There are a lot of folks using this kind of fun tool nowadays, and I've written about it before. In Neanderpaul's videos, though, I was especially struck by his unpretensious demeanor and his passionate approach to every performance, whether it is a cover tune like this one or an original. You get the sense that it doesn't matter who or even if anyone is listening. There is an implicit devotion to honesty, economy, and simplicity that is admirable. His commitment to the music really shines through.
I don't know the guy, but he's an artist, and I like what he's got going on. It's not about perfection, it's about passion.
Friday, February 20, 2009
Monday, February 16, 2009
Michelangelo's Pieta
A passing reference in a book I am reading reminded me today of one of the most arresting works of art that I have ever seen, Michelangelo's Pieta. We saw it last April while in Italy, celebrating our 25th anniversary.
I have seen a lot of famous art in my life, and one of the blessings of our marriage is that Nancy and I both enjoy art museums and art history, as well as creating our own art.
Yet, nothing I had ever previously seen or read or thought I knew about Michelangelo and his legendary body of work prepared me for the exceeding beauty, the grandeur, the grace, and the power of this particular statue.
Located in St. Peter's Basilica in Rome, the heart of the Roman Catholic Church, this statue of Jesus' battered and lifeless body, cradled in the arms of his mother, Mary, simply must be seen to be appreciated. It is one of the few works that commands one's complete rapt attention when in it's presence. This is, of course, due in part to the solemnity of the subject and also to the majesty of its representation, hewn from stone and meticulously polished by the hand of a supremely gifted artisan. Far more than a mere religious icon, which, in Rome, number in the millions and towards which I am relatively inurred, I was taken aback by the unexpected wave of emotion and introspection that this image inspired.
Completed by Michelangelo in 1499, there are several interesting things about this statue's design. It has been noted that some of the body proportions of the two figures are not "right, " strictly speaking, due to the inherent difficulty of portraying a fully grown man splayed limply across the lap of a woman. Much like a painter, the artist seemed to understand that adjustments needed to be made so that , from the perspective of the viewer some distance away, the image would appear perfectly normal and natural. The overall shape of the sculpture is pyramidic, with the thick folds of Mary's clothing largely creating the necessary mass to balance the image and support it's overall effect.
While the subject of the Savior's mother in grief at the death of her Son was by no means unique, Michelangelo's depiction of Mary differed significantly from those that had come before. The image of Mary is clearly that of the serene, young, teenage virgin mother, not the grief-stricken, mature, 45-ish woman that she certainly was at the time of Jesus' crucifixion. There are a number of theoretical explanations for this, but the one I find the most compelling posits that Michelangelo is intentionally bridging Christ's birth to His death in this single image. The young virgin mother sees in her arms the precious little newborn baby whose selfless life will eventually lead Him to the fulfillment of prophecy at Golgotha. At the same time, we who view this scene are actually seeing the grim future, which is at once the greatest of victories, draped in sorrow and loss.
This statue has an interesting history, too, a summary of which can be read here.
Finally, if you have never travelled abroad or are intimidated by the idea or cost of going to a faraway country, I encourage you to reconsider. It is far easier and much less expensive than most people think and the rewards are incalculable. It will change forever the way you look at the world.
Btw, the top pic is mine. The bottom one is shamelesly purloined from Wikipedia.
-----
I have seen a lot of famous art in my life, and one of the blessings of our marriage is that Nancy and I both enjoy art museums and art history, as well as creating our own art.
Yet, nothing I had ever previously seen or read or thought I knew about Michelangelo and his legendary body of work prepared me for the exceeding beauty, the grandeur, the grace, and the power of this particular statue.
Located in St. Peter's Basilica in Rome, the heart of the Roman Catholic Church, this statue of Jesus' battered and lifeless body, cradled in the arms of his mother, Mary, simply must be seen to be appreciated. It is one of the few works that commands one's complete rapt attention when in it's presence. This is, of course, due in part to the solemnity of the subject and also to the majesty of its representation, hewn from stone and meticulously polished by the hand of a supremely gifted artisan. Far more than a mere religious icon, which, in Rome, number in the millions and towards which I am relatively inurred, I was taken aback by the unexpected wave of emotion and introspection that this image inspired.
Completed by Michelangelo in 1499, there are several interesting things about this statue's design. It has been noted that some of the body proportions of the two figures are not "right, " strictly speaking, due to the inherent difficulty of portraying a fully grown man splayed limply across the lap of a woman. Much like a painter, the artist seemed to understand that adjustments needed to be made so that , from the perspective of the viewer some distance away, the image would appear perfectly normal and natural. The overall shape of the sculpture is pyramidic, with the thick folds of Mary's clothing largely creating the necessary mass to balance the image and support it's overall effect.
While the subject of the Savior's mother in grief at the death of her Son was by no means unique, Michelangelo's depiction of Mary differed significantly from those that had come before. The image of Mary is clearly that of the serene, young, teenage virgin mother, not the grief-stricken, mature, 45-ish woman that she certainly was at the time of Jesus' crucifixion. There are a number of theoretical explanations for this, but the one I find the most compelling posits that Michelangelo is intentionally bridging Christ's birth to His death in this single image. The young virgin mother sees in her arms the precious little newborn baby whose selfless life will eventually lead Him to the fulfillment of prophecy at Golgotha. At the same time, we who view this scene are actually seeing the grim future, which is at once the greatest of victories, draped in sorrow and loss.
This statue has an interesting history, too, a summary of which can be read here.
Finally, if you have never travelled abroad or are intimidated by the idea or cost of going to a faraway country, I encourage you to reconsider. It is far easier and much less expensive than most people think and the rewards are incalculable. It will change forever the way you look at the world.
Btw, the top pic is mine. The bottom one is shamelesly purloined from Wikipedia.
-----
Friday, February 13, 2009
Leadership
"NOT ONE MEMBER HAS READ THIS BILL!"
Do you think that our nation's leaders have any idea in what low regard they are beheld by those they govern?
UPDATE: The Democrats finally made the bill's language available around 11 p.m. Thursday, approximately 10 hours before members meet Friday to consider the bill and 38 hours short of the time promised Americans to review the bill.
That our leaders cheat on their taxes, lie with impunity, and twist both the letter and spirit of the law for the sake of personal power and material gain should not surprise us.
That we allow it is the greater crime. And yet, most of them will, I daresay, be reelected.
Yeah...change we can believe in.
Wednesday, February 11, 2009
Action Figure Museum
I have been driving through Paul's Valley, Oklahoma for years on our semi-annual trips back and forth from Texas. This is totally worth stopping for.
If you missed the Wired mag article and pics, check it out here.
If you missed the Wired mag article and pics, check it out here.
Thursday, February 05, 2009
Peanut Butter and Cabbage Sandwich
This is an exhilarating post by chef and author Michael Ruhlman. Check out this picture, taken by his wife (a superb photographer), then go read about it.
I want one now.
I want one now.
Subscribe to:
Posts (Atom)